San
Gemini Preservation Studies 2009
JOHN CABOT UNIVERSITY
Preliminary Syllabus & ScheduleJCU Summer 1
(
|
||||||||||||||||||||||||||||||||||||||||||
Course 1:Surveying
and Analyzing Historic Buildings
(3 credits ) Course #: HA 212 or (HA 312) Prof.
Max Cardillo
PREREQUISITES: none
OFFICE HOURS: by
appointment
E-MAIL: mcardillo@johncabot.edu
CELL PHONE:
COURSE AIMS:
This course teaches students to perform complex,
multidisciplinary surveys of historic buildings that record and document both
the physical aspects of a building as well as the historic and cultural context
in which it has evolved. The course is aimed at students who are interested in
understanding, and in participating in the implementation of, the overall
structure of a historic building survey. Though some students may not have all
the technical skills to work on all aspects of the field survey, they will gain
a good in-depth understanding of the whole process. The
course is aimed primarily at students of architecture, art, history, art,
restoration, anthropology and management of cultural heritage.
SUMMARY OF COURSE CONTENT:
Historical structure of
the Italian city
Italian building types
Traditional structural
systems
Traditional building technology
in Italy
COURSE
STRUCTURE
Daily
lectures
Daily
fieldwork surveying of the church of Santo Gemine
Site
visits to ongoing preservation work in Italy
Assigned
reading
Written
assignment
LEARNING OUTCOMES:
We hope to impart to students
specific skills in surveying, but most importantly to give them a good overview
of the entire process. Different teams of surveyors with diverse skills often do
this type of work and preservationists are often called to organize and manage
the process. In such a situation, a good understanding of the whole process is
just as important as the specific survey elements.
GRADING POLICY:
Mid-term exam 15%
Fieldwork 50%
Final exam 15%
Term Paper 20%
List of Lectures
The fieldwork includes further
instruction into the use of survey tools and various recording and documentation
methods.
In this class we will not teach
students to draft either by hand or using computers. Since most non-architecture
students do not possess this training, we organize the work teams with mixed
educational background and assign tasks to each member based on the skills they
possess or are interested in learning during the course.
Useful
skills in this program:
Drafting with AutoCAD, Digital
Photography, Photoshop
Useful
tools:
Laptop computers, digital camera, AutoCAD and Photoshop software
READINGS:
Hearder,
H & Waley, D.P., A Short History of Italy. Cambridge University Press
Peter
Connolly & Hazel Dodge, The Ancient City. Oxford University Press
Stafford
Holmes & Michael Wingate, Building with Lime ,ITDG Publishing (Chapters
1-10)
Jean-Pierr Adam, Roman Building : Materials and Techniques ,Taylor & Francis, Inc.
DESCRIPTION OF ASSIGNMENTS:
Field
work: Complete various assignments that are given as part of field project
Term
paper #1: 8 page paper on a topic
to be assigned
Term
paper #2: 8 page paper on a topic
to be assigned
Exam:
Will have mixed format as a quiz and essay questions
ACADEMIC HONESTY. As stated in the university catalog, any student who commits an act of academic dishonesty will receive a failing grade on the work in which the dishonesty occurred. In addition, acts of academic dishonesty, irrespective of the weight of the assignment, may result in the student receiving a failing grade in the course. Instances of academic dishonesty will be reported to the Dean of Academic Affairs. A student who is reported twice for academic dishonesty is subject to summary dismissal from the University. In such a case, the Academic Council will then make a recommendation to the President, who will make the final decision. |
||||||||||||||||||||||||||||||||||||||||||
Course 2:
JOHN CABOT UNIVERSITY
San Gemini Preservation Program – Summer 2009
Introduction to Art and Architectural Restoration in Italy
Instructor:
Prof. Nikos Vakalis
course number to be posted so on
PREREQUISITES: none
OFFICE HOURS: by
appointment
E-MAIL:
CELL PHONE:
COURSE AIMS:
This course introduces students to restoration. It explores the
traditional materials and techniques used by Italian artists and architects, the
causes of deterioration of these materials over time and the different
approaches to their restoration and conservation. The emphasis is on masonry
buildings building restoration however restoration of sculpture and painting is
extensively explored. The course is aimed primarily at students of architecture, art, history, art,
restoration, anthropology and management of cultural heritage.
SUMMARY OF COURSE CONTENT:
COURSE
STRUCTURE:
Daily
lectures
Daily
fieldwork on the stonework on the façade of the church of Santo Gemine
Site
visits to ongoing preservation work in Italy
Assigned
reading
Written assignment
LEARNING OUTCOMES:
The objective of this course is to introduce students to the physical nature of traditional materials used by architects and artists and how they deteriorate over time from the impact of use and natural weathering. Students will also be introduced to the different approaches to the restoration and conservation of the materials. The theoretical learning will be complemented by hands on experience in the field project restoring the façade of the church of Santo Gemine.
GRADING POLICY:
Mid-term exam 15%
Final exam 15%
Field Work 50%
Written Assignment 20%
List of Lectures
READINGS:
To be announced
DESCRIPTION OF ASSIGNMENTS:
Field work: Complete
various assignments that are given as part of field project
Term
paper #1: 8 page paper on a topic
to be assigned
Term
paper #2: 8 page paper on a topic
to be assigned
Exam: Will have mixed format as a quiz and essay questions
ACADEMIC HONESTY.
As stated in the university catalog, any student who commits an act of academic
dishonesty will receive a failing grade on the work in which the dishonesty
occurred. In addition, acts of academic dishonesty, irrespective of the weight
of the assignment, may result in the student receiving a failing grade in the
course. Instances of academic dishonesty will be reported to the Dean of
Academic Affairs. A student who is reported twice for academic dishonesty is
subject to summary dismissal from the University. In such a case, the Academic
Council will then make a recommendation to the President, who will make the
final decision.
|
Calendar
May 24–June 28
|
Date |
Day |
Afternoon
2:30 - 7:30 |
||
|
5/23 |
Sat. |
|
||
|
5/24 |
Sun |
|
Orientation |
|
|
5/25 |
Mon |
City
Cardillo |
History
of San Gemini San Gemini and The Region |
|
|
5/26 |
Tue |
The
Medieval City-Evolution of San Gemini |
Visit
to San Gemini |
The
Roman City-Visit to Carsulae Cardillo |
|
5/27 |
Wed |
Building
Structure Types Cardillo |
Italian
Building Types Cardillo |
|
|
5/28 |
Thu |
Stone
– Geology and description Vakalis |
Stone
– Traditional Uses in art Vakalis |
Field Work – Cardillo,
Vakalis Using
equipment and Tools |
|
5/29 |
Fri |
Paper nature and uses of the material in books and art Visiting Lecturer |
Paper |
Field Work Cardillo,
Vakalis |
|
5/30 |
Sat |
Free
day |
|
|
|
5/31 |
Sun |
Free
day |
|
|
|
6/1 |
Mon |
Stone
- Decay Factors Vakalis |
Stone
- Decay & Restoration Vakalis |
Field Work Cardillo,
Vakalis |
|
6/2 |
Tue |
Brick
& Ceramics- |
Brick
& Ceramics- Decay and Restoration Vakalis |
Field Work Cardillo,
Vakalis |
|
6/3 |
Wed |
The purpose of restoration |
Describing Buildings Cardillo |
Field Work Cardillo,
Vakalis |
|
6/4 |
Thu |
Historical Analysis of Buildings (San Giovanni Battista) |
Using Total station, |
Field Work Cardillo,
Vakalis |
|
6/5 |
Fri |
Historic Garden Restoration |
Historic Garden Restoration |
Field Work Cardillo,
Vakalis |
|
6/6 |
Sat |
Travel
day - |
|
|
|
6/7 |
Sun |
Travel day - Siena |
|
|
|
6/8 |
Mon |
Travel
day - |
|
|
|
6/9 |
Tue |
Travel
day - Florence |
|
|
|
6/10 |
Wed |
Travel
day - Florence |
|
|
|
6/11 |
Thu |
Travel
day - Florence - Rome |
|
|
|
6/12 |
Fri |
Travel
day - Rome |
|
|
|
`6/13 |
Sat |
Travel
day - Rome |
|
|
|
6/14 |
Sun |
Travel
day - Rome - SG |
|
|
|
6/15 |
Mon |
New technologies for Building surveying. Total Stations |
3D laser scanners |
Field Work Cardillo,
Vakalis |
|
6/16 |
Tue |
Historic Building Materials |
Construction methods Foundations and Walls |
Field Work Cardillo,
Vakalis |
|
6/17 |
Wed |
Traditional Construction Methods
Floors , Roofs |
Traditional Construction Methods - \Interior
Finishes Walls, Floors , Ceilings |
Field Work Cardillo,
Vakalis |
|
6/18 |
Thu |
Fresco
Materials and Technology Vakalis |
Fresco
Techniques Over the Centuries Vakalis |
Field Work Cardillo,
Vakalis |
|
6/19 |
Fri |
Strategies
for the survey and conservation of Cultural Heritage |
The
Risk Map of cultural heritage in Italy |
Field Work Cardillo,
Vakalis |
|
6/20 |
Sa |
Free
day |
|
|
|
6/21 |
Sun |
Free
day |
|
|
|
6/22 |
Mon |
Wood
– Materials Features Traditional uses in art Vakalis |
Wood
– Decay & Restoration in art Vakalis |
Field Work Cardillo,
Vakalis |
|
6/23 |
Tue |
Oil Painting Materials and Methods Vakalis |
Oil Painting Decay & Restoration Vakalis
|
Field Work Cardillo,
Vakalis |
|
6/24 |
Wed |
Traditional Methods of Restoration
Vakalis |
Modern Theories of Restoration Vakalis |
Field Work Cardillo,
Vakalis |
|
6/25 |
Thu |
Artistic Survey, Archaeological surveying Cardillo |
Assessing State of Conservation, Historic Structure Report Cardillo |
Field Work Cardillo,
Vakalis |
|
6/26 |
Fri |
Metals in art and artifacts Agents of decay Visiting
Lect. Bianca Fossa |
Metals- methods of restoration and conservationVisiting
Lect. Bianca Fossa |
Field Work Cardillo,
Vakalis |
|
6/27 |
Sat |
Free
day |
|
|
|
6/28 |
Sun |
Housing
must be vacated |
|
|
|
|
||||